"Trexler meditated, as he walked, on what he wanted. “What do you want”” he heard again. Trexler knew what he wanted, and what, in general, all men wanted and he was glad, in a way, that it was both inexpressible and unattainable, and that it wasn’t a wing. He was satisfied to remember that it was deep formless enduring and impossible of fulfillment, and that it made men sick and that when you sauntered along Third Avenue and looked through the doorways into the bars, you could sometimes pick out from the unregenerate ranks the ones who had not forgotten, gazing steadily into the bottoms of their glasses on the long chance that they could get another little peek at it.
Trexler found himself renewed by the remembrance that what he wanted was at once great and microscopic, and that although it borrowed from the nature of large deeds and of youthful love and of old songs and early intimations, it was not any one of those things, and that it had not been isolated or pinned down and that a man who attempted to define it in the privacy of a doctor’s office would fall flat on his face.
Trexler felt invigorated. Suddenly his sickness seemed health, his dizziness stability. A small tree, rising between him and the light, stood there saturated with the evening, each gilt-edged leaf perfectly drunk with excellence and delicacy. Trexler’s spine registered an ever so slight tremor as it picked up this natural disturbance in the lovely scene “I want the second tree from the corner, just as it stands,” he said answering an imaginary question from an imaginary physician. And he felt a slow pride in realizing that what he wanted none could bestow, and that what he had none could take away."
—E.B. White
Sunday, April 4, 2021
The Queen’s Gambit
Created by Scott Frank, Allan Scott / Based on "The Queen's Gambit" by Walter Tevis / Written & Directed by Scott Frank /
Starring Anya Taylor-Joy
"Her mind moves upon silence." - W.B. Yeats
“Chess isn't always competitive. Chess can also be beautiful. It was the board I noticed first. It's an entire world of just 64 squares. I feel safe in it. I can control it. I can dominate it. And it's predictable, so if I get hurt, I only have myself to blame." - Beth Harmon
Friday, February 26, 2021
Nomadland
Directed, Written, Edited, and Produced by Chloé Zhao / Starring Frances McDormand / Cinematography by Joshua James Richards / Based on Jessica Bruder’s 2017 non-fiction book “Nomadland: Surviving America in the Twenty-First Century."
But thy eternal summer shall not fade,
Shakespeare - Sonnet 18
"The naturalistic approach meant Zhao’s script evolved with the workers they cast. Producers would arrive on location in advance of the shoot to record iPhone videos with possible characters, then send them to Zhao so she could work on her revisions.
'I tried to focus on the human experience and things that I feel go beyond political statements to be more universal — the loss of a loved one, searching for home.' - Chloé Zhao"
(source: IndieWire)
Monday, January 25, 2021
The Sound of Metal
"The world does keep moving and it can be a damn cruel place, But for me those moments of stillness, that place, that’s the Kingdom of God. And that place will never abandon you." - JoeDirected by Darius Marder / Music by Abraham Marder, Composer-Sound Designer Nicolas Becker / Story by Darius Marder, Derek Cianfrance / Starring Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff, Mathieu Amalric / Produced by Bert Hamelinck, Sacha Ben Harroche, Bill Benz Kathy Benz / Screenplay by Darius Marder, Abraham Marder / Cinematography Daniël Bouquet / Edited by Mikkel E.G. Nielsen / Production company Caviar Ward Four
Saturday, March 28, 2020
Practice humanity. We don't talk about practicing humanity, but now if ever there is a time to practice humanity the time is now. The time is now to show some kindness, to show some compassion to people, show some gentility [...] Yes, we have a problem. Yes, we will deal with it. Yes, we will overcome it. But let's find our better selves in doing it. - Governor Cuomo
Monday, August 6, 2018
Jean-Marc Vallée
Director, Editor, Producer
(From an interview with DNA; about directing process on Big Little Lies)
JMV... "the way we shoot – handheld with available light, not blocking the light, not reflecting it – it creates a space. There's a feeling of reality; we're doing fiction but it becomes about capturing. I'll shoot the first rehearsal and I don't tell the actors where to go. Sometimes it sucks, sometimes it's good and then I react to that. I do coverage depending on the [character's] perspective, what they look at and where they go. If she starts walking and then she stops and he looks at her, or she looks at him - I cut from her perspective and use her looks to tell me where to cut there. [...] to shoot with no rehearsal."
"when I saw the Pacific Ocean over there, it was f***ing angry and violent. I've never seen waves like that and the sunset was so incredible. I thought, this has to be a character. And the sound – it would be the sound of the series. I thought, let's find houses where these women will have a connection to the ocean. The ocean is the mother of humanity. It's so powerful, strong and mysterious and such a good symbol."
(source: DNA article, written by Rucha Sharma. Photo credit: Michael Watier)
JMV... "the way we shoot – handheld with available light, not blocking the light, not reflecting it – it creates a space. There's a feeling of reality; we're doing fiction but it becomes about capturing. I'll shoot the first rehearsal and I don't tell the actors where to go. Sometimes it sucks, sometimes it's good and then I react to that. I do coverage depending on the [character's] perspective, what they look at and where they go. If she starts walking and then she stops and he looks at her, or she looks at him - I cut from her perspective and use her looks to tell me where to cut there. [...] to shoot with no rehearsal."
"when I saw the Pacific Ocean over there, it was f***ing angry and violent. I've never seen waves like that and the sunset was so incredible. I thought, this has to be a character. And the sound – it would be the sound of the series. I thought, let's find houses where these women will have a connection to the ocean. The ocean is the mother of humanity. It's so powerful, strong and mysterious and such a good symbol."
(source: DNA article, written by Rucha Sharma. Photo credit: Michael Watier)
Thursday, April 26, 2018
Tuesday, February 20, 2018
Six Feet Under
Created by Alan Ball
Performances by Frances Conroy, Michael C. Hall, Peter Krause, Lauren Ambrose, Rachel Griffiths, Mathew St. Patrick, Freddy Rodríguez... / Written by Alan Ball, Nancy Oliver, Rick Cleveland, Kate Robin, Bruce Eric Kaplan, Scott Buck, Jill Soloway, Craig Wright, Laurence Andries, Christian Taylor, Christian Williams, Johnny Otto.
Our death is our wedding with eternity - Rumi
Performances by Frances Conroy, Michael C. Hall, Peter Krause, Lauren Ambrose, Rachel Griffiths, Mathew St. Patrick, Freddy Rodríguez... / Written by Alan Ball, Nancy Oliver, Rick Cleveland, Kate Robin, Bruce Eric Kaplan, Scott Buck, Jill Soloway, Craig Wright, Laurence Andries, Christian Taylor, Christian Williams, Johnny Otto.
Our death is our wedding with eternity - Rumi
Wednesday, January 25, 2017
Anne Frank
Anne Frank: "It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more" - Diary excerpt - July 15, 1944
Monday, January 2, 2017
Andrea Arnold
"My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something." - A.A.
"I think the mystery in films is really important. And that if we try to explain things too much then you take out the fun of the film. [...] I think that [mystery] has to unravel in the film, and I leave room for people to put themselves - or to work it out or to go argue in the bar afterwards. But if I explain it, I feel like then we take the mystery of film away. And I feel like we overexplain everything in life, and I am desperate to leave it." - A.A.
WASP
AMERICAN HONEY
Written & Directed by Andrea Arnold
Starring Sasha Lane, Shia LaBeouf, Riley Keough, Raymond Coalson, Chad McKenzie Cox, Verronikah Ezell, Arielle Holmes, Garry Howell, Crystal B. Ice, McCaul Lombardi, Shawna Rae Moseley, Dakota Powers, Isaiah Stone, Kenneth Kory Tucker, Christopher David Wright, Will Patton, Bruce Gregory, "I take most of my inspiration for each film based on the world that I’m exploring. I do a lot of research and immerse myself in the places and with the people that I’m going to make the film about. That’s absolutely where I get my inspiration from. I find real life and real people really inspiring." - A.A.
INTERVIEW
(Sources: The Guardian Article Andrea Arnold: 'I don't do easy rides' by Ryan Gilbey / NPR Fresh Air Interview with Terry Gross / IndieWire, Graham Winfrey Cannes: Andrea Arnold on the 'Difficult Times' Making 'American Honey' on the Road in the U.S.)
"I think the mystery in films is really important. And that if we try to explain things too much then you take out the fun of the film. [...] I think that [mystery] has to unravel in the film, and I leave room for people to put themselves - or to work it out or to go argue in the bar afterwards. But if I explain it, I feel like then we take the mystery of film away. And I feel like we overexplain everything in life, and I am desperate to leave it." - A.A.
WASP
AMERICAN HONEY
Written & Directed by Andrea Arnold
Starring Sasha Lane, Shia LaBeouf, Riley Keough, Raymond Coalson, Chad McKenzie Cox, Verronikah Ezell, Arielle Holmes, Garry Howell, Crystal B. Ice, McCaul Lombardi, Shawna Rae Moseley, Dakota Powers, Isaiah Stone, Kenneth Kory Tucker, Christopher David Wright, Will Patton, Bruce Gregory, "I take most of my inspiration for each film based on the world that I’m exploring. I do a lot of research and immerse myself in the places and with the people that I’m going to make the film about. That’s absolutely where I get my inspiration from. I find real life and real people really inspiring." - A.A.
INTERVIEW
(Sources: The Guardian Article Andrea Arnold: 'I don't do easy rides' by Ryan Gilbey / NPR Fresh Air Interview with Terry Gross / IndieWire, Graham Winfrey Cannes: Andrea Arnold on the 'Difficult Times' Making 'American Honey' on the Road in the U.S.)














